Play the gig you’re currently doing — not the one for which you’re practicing. I believe it’s important to always remember my role on my current gig. If it’s a “commercial” thing, then play it that way. Listen to the music, learn the style, and play within those parameters. I may have practiced some really fun clave patterns during the day (e.g.), but my gig that evening doesn’t call for that. That’s fine. I don’t want to throw something into the mix just because I can. I may be dying to try some of this new stuff (for me), but I’m going to wait for the right time.
Many years ago, a friend of mine was doing a vocalist’s gig in NYC and Roy Haynes happened to be there. My buddy was doing a great job and playing what the gig wanted. They talked during a break and Roy said something along the lines, “hey, not every gig is a bebop gig.” The lesson is that you play the gig. I take this attitude with me to every gig. It serves me well.
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